Latest News :
Recent Movies
Showing posts with label Bolly. Show all posts
Showing posts with label Bolly. Show all posts

Ek Chotisi Love Story(2002)



 
   Cast: Manisha Koirala, Aditya Seal, Ranvir Shorey
   Directors:  Shashilal K. Nair
  Genres: Indian Cinema, Drama, Romance
    Language: Hindi
    Subtitles: English
    Released: Sep 6, 2002



Story:

It is a story of 15-year-old Aditya (Aditya Seal) and his voyeuristic love of his nameless neighbor (Manisha Koirala) featuring bathroom masturbation scenes which are virtually unseen in Bollywood. Soon Aditya s hobby turns into infatuation as he begins to follow her movements closely. He feels sexually drawn towards her when he sees her coming out of her bath, her hair dripping wet. He feels jealous when he catches her making love with her boyfriend (Ranvir Shorey). Manisha is unaware of her secret admirer. When the boy musters up the courage and speaks his heart to her, she takes it in her stride and gives him a little teaser on adolescent love.
{[['']]}

Julie (2004)



Cast:     Neha Dhupia, Priyanshu Chatterjee,  Yash Tonk,
Sanjay Kapoor,  Achint Kaur, Kiran Kumar, Ahmed Khan, Sudhir Joshi, Kamini Khanna, Manish Khanna, Dinesh Hingoo, 
Anil Nagrath, Ishwar Patel, Shiva Rindani,  Rishikesh Sharma

Directors:  Deepak S. Shivdasani
Producers ; N.R. Pachisia
 
Genres: Indian Cinema, Drama, Romance 
Language: Hindi 
Released: Jul 1, 2004


Story:

When Julie (Neha Dhupia), a girl-next-door from Goa, gets dumped by her boyfriend, Neil (Yash Tonk), she moves to Mumbai. Here, too, she is physically abused by her boss, Rohan (Sanjay Kapoor). Heartbroken and emotionless, she loses faith in love and decides to become a call-girl. A chance meeting outside her work area, with Mihir Shandilya (Priyanshu Chatterjee), a multi-millionaire and one of the most eligible bachelors in town, leads to their instant liking for each other. Mihir is completely besotted by her beauty and, being a family-oriented gentleman, proposes marriage to her. All is well except that Mihir and his family are unaware of the fact of Julie being a high-profile prostitute. During a TV interview, Mihir surprises everyone by mentioning Julie to be 'someone special' in his life. Julie, now, is in a dilemma. How to tell her future husband about her socially unacceptable profession? Watch out for the way she uses media as a platform to reveal the truth to the world. Will Mihir accept her after knowing the truth? Subscribe and Stay Tuned - http://www.youtube.com/subscription_center?add_user=rajshri
{[['']]}

Aurat Ki Pyaas (2008)



Cast

Ashok Hegde, Nevenita ,Janardan

Genres: Romance, Drama, Indian Cinema
Language: Hindi
Running time: 1:26:22
Released: Oct 30, 2008


Story:

Aurat Ki Pyaas is a movie about the desperation of a woman for love and romance, and how she is unsatisfied by her husband and always thinks about love and ditched her husband for love with another guy having a extra marital affair with other different guys.

{[['']]}

Hate Story ( Englsh-Hindi)





Cast: Paoli Dam, Gulshan Devaiya, Nikhil Dwivedi
Directed by     Vivek Agnihotri
Produced by     Vikram Bhatt
Music: Harshit Saxena
Cinematography     Attar Singh Saini
Release date(s)     20 April 2012
Country  :   India
Language :    Hindi, English




The Story of the film revolves around Kaavya and her transformation from a simple middle class journalist to a sex worker and her revenge where she is exploited both professionally and sexually. Kaavya, who doesn't have anything to lose anymore, trained by the best escort, uses her sexuality as a lethal weapon to rip Siddharth apart by using everyone connected to him one way or another, like 'an unstoppable force meets an immovable object .'Thus begins the journey of Hatred and brutal vengeance. This affects everyone around Kaavya, including her family and her best friend Vicky who secretly loves her, and different people coming in the path of her quest.

Story:
Kavyah Krishna (Paoli Dam) and her best friend Vicky pull an anti-operation against one of the biggest business tycoons, which happens to be Siddharth Dhanrajgir's company. They take pictures of a few black-business deals and write an article that gets published. Siddharth, being a rich and cocky tycoon, wants revenge, so he calls Kavyah up for some coffee. He offers her a job in his company with a three hundred percentage increase in income, and Kavyah accepts his offer immediately. They go on a business trip together, and Kavyah helps Siddharth get his company a good deal. That night, Siddharth takes Kavyah to dinner, where they both connect romantically and end up having sex. On return, Kaavya meets her friend Vicky and gives him the gifts she got for him and says 'I love my job'. An upset Vicky keeps silent and sad, but does not show off.

The next day, Kavyah goes to work and finds out that her entry pass to get inside the office has been cancelled. She goes to talk to Siddharth, who arrogantly talks about his plan and pulls a gun out, tortures her, and says that he never had any feelings for her; he just wanted revenge for the sting operation she pulled. He tells her that he punishes people who mess with him, and tells her to get out of his office. Heartbroken, Kavyah leaves and applies for another job, with Vicky's support. While Vicky is dropping her, she runs out of the car and vomits. He takes her to the doctor, only to find out that she is now pregnant.
Kavyah immediately meets Siddharth again, and he once again humiliates her, but she informs him that she is pregnant and says that she can prove that it's Siddharth's child (DNA). That night, he calls her and pretends to be sorry for what happened. Kavyah immediately falls again and runs to meet him. He kidnaps her, and not only kills the baby, but takes out her ovaries, and throws her. Kavyah becomes a sex worker and sleeps with many people to get to Siddharth. Now it is to be seen whether she succeeded in this or not.
{[['']]}

English Vinglish




Cast:     Sridevi, Mehdi Nebbou, Priya Anand,  Adil Hussain
Directed by     Gauri Shinde
Produced by     Sunil Lulla, R. Balki, Rakesh Jhunjhunwala, R. K. Damani
Music by     Amit Trivedi
Cinematography     Laxman Utekar
Editing by     Hemanti Sarkar
Release date    5 October 2012 (India )
              14 September 2012 (Toronto International Film Festival)
Country     India
Language :Hindi, Tamil, Telugu (dubbed)


English Vinglish is a 2012 Indian comedy-drama film directed by Gauri Shinde and produced by R. Balki. It was made simultaneously in Hindi and Tamil and released on 5 October 2012. It was also dubbed in Telugu and released simultaneously with the Hindi and Tamil versions.

The film stars Sridevi in the lead role, marks her comeback to Bollywood after 15 years and to Tamil cinema after 26 years. The film also features French actor Mehdi Nebbou, Adil Hussain, and Priya Anand. Amitabh Bachchan and Ajith Kumar make guest appearances in the Hindi and Tamil versions respectively.

The film revolves around housewife Shashi Godbole, who enrolls in an English language course in order to please her husband and family. Shinde wanted her characters to be rooted and so they decided that the family will be Marathi, which is why the film was shot in Pune. Sridevi's character is inspired by Gauri's mother.

Before its official worldwide release, English Vinglish was premiered at the 2012 Toronto International Film Festival, where the film and Sridevi's performance received a standing ovation. Prior to its release, English Vinglish was screened for the Indian press and critics and one of the biggest premieres of 2012 was held for the film fraternity.It received near universal critical acclaim and several critics hailed it as a must watch film. The film was declared a big Hit in India and overseas

Story:
Shashi Godbole (Sridevi) is a middle-aged Maharashtrian housewife who loves cooking and as a hobby makes and sells laddoos, which she considers to be a small business. She is a dedicated homemaker who is taken for granted by her husband and daughter. She is ridiculed for her poor English by her husband, Satish (Adil Hussain) and daughter, Sapna. However, her young son Sagar loves her as she is.

Shashi's sister, who lives in New York, invites Shashi's family for her daughter's wedding. It is decided that Shashi will go to New York alone to help her sister set up everything for the marriage. Her husband and kids will join her later when the wedding closes in. While Shashi is in New York, Shashi becomes embarrassed when her lack of English causes chaos a local coffee shop so she secretly enrolls herself into a conversational English class that promises to teach the language in four weeks. The class comprises a Mexican nanny, a Pakistani cab driver, a Chinese hairstylist, a Tamil software engineer, a quiet young African man, and a soft-spoken French chef named Laurent (Mehdi Nebbou). Shashi quickly emerges as amongst the most promising and committed students in her class. In midst of all this, Laurent becomes attracted to Shashi.

Meanwhile, Shashi's niece Radha (Priya Anand) finds out about her secret English classes and supports and helps her in her literary pursuit. Shashi starts watching English films at night and doing her homework religiously. To complete the English speaking course each of the student must take a final test, as announced by her teacher David Fischer. The test is a 5 minute speech that each student should prepare and deliver which will be judged by the tutor who will then issue the certificate. Shashi's family joins her in New York earlier than expected, as a surprise. At first Shashi tries to attend class, but when this becomes impossible, she asks Radha to tell the teacher she's quitting. Furthermore, the test date coincides with the wedding date so she misses the test.

Shashi's niece invites her English teacher and all her friends at the English speaking class to the wedding. At the wedding, Shashi gives the speech (in English), more of a toast to the couple at the wedding and stuns everyone. The English tutor, who is present amongst the guests, declares that she has passed the test with distinction and issues her the certificate. Shashi's husband and daughter finally realize their mistake of mocking her lack of proficiency in English and taking her for granted. Shashi thanks Laurent for "making her feel better about herself". The movie ends with Shashi's family returning to India. On the flight Shashi requests (in fluent English) if the stewardess has any Hindi newspapers.
{[['']]}

JISM 2 (Hindi)




Cast: Randeep Hooda, Sunny Leone, Arunoday Singh
Director: Pooja Bhatt
Producer:    Pooja Bhatt, Dino Morea
Written by: Mahesh Bhatt, Shagufta Rafique
Cinematography     Bhavya
Studio     Clockwork Films Private Limited
Release:    3 August 2012
Language     Hindi

Jism 2 is a 2012 erotic thriller film directed by Pooja Bhatt. It is the sequel to the 2003 film Jism and marks the debut of Indo-Canadian pornographic actress Sunny Leone in Bollywood. Jism 2 was launched on 1 December 2011, on popular Indian television show Bigg Boss, making the launch a first time ever in the history of Indian Cinema. Mahesh Bhatt compared Jism 2 to Italian romance drama Last Tango In Paris. Jism 2 has been passed with an A-certificate by the Central Board of Film Certification (CBFC). Jism 2 had paid previews on 2 August 2012, one day prior to its worldwide release

Story:

At the beginning, Izna, a porn star (Sunny Leone) is lying dead in the grass, but she says that she wants to ask forgiveness from somebody for her sins. The story then goes back 6 months.

Izna is hired by an intelligence officer Aayan Thakur (Arunoday Singh) and Security Chief Guru Saldanah (Arif Zakaria) to become a 'honey-trap' and help them retrieve critical information from a dreaded assassin Kabir (Randeep Hooda). During this mission, Aayan gets to know about Izna's previous relationships with Kabir when Kabir himself used to work for the intelligence. During one of his missions where Izna was being used for drug-peddling in a pub, which she was unaware of, Kabir arrested the guilty drug-peddlers, and Izna explained that she was innocent. Kabir took a coin from her and decided not to arrest her. Izna started loving Kabir and followed him home, handing him a love letter written in her own blood. Both start loving each other but one day Kabir disappeared without any word. Six years passed and Izna did not find him despite many efforts.

After Izna agrees to the mission, she is taken to a residential colony in Sri Lanka to live where Kabir also lived with an identity of a musician. Izna is asked to act as Aayan's fiancee and is given a story of how they both met each other. Izna then is asked to go to Kabir's house to introduce herself as his new neighbor, but he acts as if he does not recognize her. The very next day, he writes "Sorry" on her window in his blood but flees as soon as a phone call comes. Kabir attacks Guru Saldanah's team but Saldanah makes an escape and plans to stop the operation. Aayan plans to steal the data from Kabir while Izna takes Kabir out. Izna sends a letter to Kabir telling him that she wants to meet him, and Kabir leaves his house. Aayan moves to Kabir's house to steal the data. When he copies data from Kabir's laptop, it gives Kabir an alert to his phone, and Kabir runs towards his house. Aayan escapes with the data, but later discovers that the data was fake. Izna says that she will never forgive Kabir and will bring him down.

Kabir still trusts Izna and never had a suspicion on her but his trusted friend Sumit suspects her and warns Kabir about her. Kabir proposes to marry her and asks Izna to shift to his house and leave Aayan. Izna agrees to this but in the meantime Aayan starts to love Izna and gets angry upon hearing this, but she claims that she will only be able to steal the data once she gets into Kabir's house. She moves to his house and starts staying with Kabir. Kabir asks Sumit to arrange for a priest for the marriage, who accidentally reads an SMS to Aayan on Izna's phone, which proved she was a spy. Sumit goes to kill Aayan but is killed in a gun battle. Aayan calls Izna for some urgent talk and expresses his fears that they can no longer play this risky game as when Kabir will find out that Sumit is killed, he will kill Izna. Aayan gives her poison and asks her to mix it in Kabir's drink.

When Izna is not at home, Kabir goes to Aayan's house and discovers Sumit's bluetooth. To find more about Sumit, Kabir searches the house and ends up discovering a book inside Izna's bag which has a similar story that Izna told to Kabir regarding her meeting Aayan. This confirms Sumit's suspicion and Kabir waits for Izna. Izna returns and offers him coffee. Izna mixes poison in the coffee given by Aayan. Kabir tells Izna that years back, he left Izna for a sting operation but during the operation, he had discovered that the country's own officers, security forces and politicians were corrupt. Therefore, he had shortlisted them and then he had them killed.

According to Kabir, he was a patriot and not a terrorist. Kabir threw away the poisoned coffee and told Izna that the Guru Saldanah and his team is a fraud who would kill Izna as soon as they would get the hard disk containing the original data. He asks Izna to escape and offers her a new passport, tickets and a Swiss bank account from where she can withdraw unlimited money. Yet, Izna refuses and when Kabir hugs Izna and kisses her before their separation, Izna shoots him in his stomach. Kabir dies immediately and Izna runs away with the hard disk containing the original data. She goes to Guru Saldanah and hands over the hard disk to him. However, she is soon surprised to know that Guru Saldanah was a fraud and after the task she was supposed to be killed and Aayan was given this responsibility to kill her; later, Aayan changed his mind as he was in love with her, hearing that Saldanah tried to kill Izna but Aayan killed him instead.

Izna told Aayan that because of their fraud mission she killed an innocent person, that too, the love of her life who blindly trusted her. Izna says that she would prefer to die with Kabir rather than living with Aayan and attempts to leave with the hard disk. Aayan threatens to shoot Izna if she leaves the house, but still she leaves and then she is shot by Aayan from the back. Izna falls to the ground but when Aayan comes to check whether she died or not, Izna shoots him to death. Then finally Izna, herself, dies.

After dying, Izna's soul asks forgiveness from Kabir's soul who at once, forgives her. Izna tells Kabir that without him, heaven won't be heaven for her and with him, she won't be afraid to go to hell. Then their souls rests in peace.
{[['']]}

Irrfan Khan - The sexy royal gangster

After the success of 'Pan Singh Tomar', producer-director Tigmanshu Dhulia and Irrfan are teaming up once again for 'Sahib Biwi Aur Gangster Returns' (SBGR).
Irrfan plays the role of a sexy royal gangster in the film. Explained Dhulia, "Irrfan's got a great sex appeal and he triggers the sensitive side of women in an intellectual way. He's not for frivolous women, but for those with substance. Any woman who has some intellect will find Irrfan really attractive."
Incidentally Irrfan is considered sexy by many women in Urban Indian.  They find his earthy personality appealing. Dhulia revealed that he has witnessed many women blush and going coy when they see and meet Irrfan. "He doesn't get a reaction like people screaming his name but I can see the admiration, lust and passion for him," he adds.
When quizzed if SBGR will be a bigger film for the duo? Tigmanshu stated, "We will feature a world which you rarely see in movies today. The old world charm, royalty, attitude and etiquette, which are missing in today's society and in our films, will be depicted in it."
Talking about Irrfan's character in the film, Tigmanshu shared, "His character is of royal descent who has lost everything. He becomes a small town gangster, who holds a grudge against Jimmy's (Shergill) character and wants to reclaim his lost glory. The film is all about his revenge."
In the film, which releases on March 8, Jimmy marries Soha (Ali Khan) who becomes the choti bahu (younger daughter-in-law). Irrfan is her protector, who has a liaison with Mahie Gill.
{[['']]}

SRK on Being Khan

Here is the article written by SRK which appeared in Outlook Turning Points (The Global Agenda 2013).
I am an actor. Time does not frame my days with as much conviction as images do. Images rule my life. Moments and memories imprint themselves on my being in the form of the snapshots that I weave into my expression. The essence of my art is the ability to create images that resonate with the emotional imagery of those watching them.
I am a Khan. The name itself conjures multiple images in my mind too: a strapping man riding a horse, his reckless hair flowing from beneath a turban tied firm around his head. His ruggedly handsome face marked by weathered lines and a distinctly large nose.
A stereotyped extremist; no dance, no drink, no cigarette tipping off his lips, no monogamy, no blasphemy; a fair, silent face beguiling a violent fury smoldering within. A streak that could even make him blow himself up in the name of his God. Then there is the image of me being shoved into a back room of a vast American airport named after an American president (another parallel image: of the president being assassinated by a man named lee, not a Muslim thankfully, nor Chinese as some might imagine! I urgently shove the image of the room out of my head).
Some stripping, frisking and many questions later, I am given an explanation (of sorts): "Your name pops up on our system, we are sorry". "So am I," I think to myself, "Now can I have my underwear back please?" Then, there is the image I most see, the one of me in my own country: being acclaimed as a megastar, adored and glorified, my fans mobbing me with love and apparent adulation.
I am a Khan.
I could say I fit into each of these images: I could be a strapping six feet something - ok something minus, about three inches at least, though I don't know much about horse-riding. A horse once galloped off with me flapping helplessly on it and I have had a "no horse-riding" clause embedded in my contracts ever since.
I am extremely muscular between my ears, I am often told by my kids, and I used to be fair too, but now I have a perpetual tan or as I like to call it 'olive hue' - though deep In the recesses of my armpits I can still find the remains of a fairer day. I am handsome under the right kind of light and I really do have a "distinctly large" nose. It announces my arrival in fact, peeking through the doorway just before I make my megastar entrance. But my nose notwithstanding, my name means nothing to me unless I contextualize it.
Stereotyping and contextualizing is the way of the world we live in: a world in which definition has become central to security. We take comfort in defining phenomena, objects and people - with a limited amount of knowledge and along known parameters. The predictability that naturally arises from these definitions makes us feel secure within our own limitations.
We create little image boxes of our own. One such box has begun to draw its lid tighter and tighter at present. It is the box that contains an image of my religion in millions of minds.
I encounter this tightening of definition every time moderation is required to be publicly expressed by the Muslim community in my country. Whenever there is an act of violence in the name of Islam, I am called upon to air my views on it and dispel the notion that by virtue of being a Muslim, I condone such senseless brutality. I am one of the voices chosen to represent my community in order to prevent other communities from reacting to all of us as if we were somehow colluding with or responsible for the crimes committed in the name of a religion that we experience entirely differently from the perpetrators of these crimes.
I sometimes become the inadvertent object of political leaders who choose to make me a symbol of all that they think is wrong and unpatriotic about Muslims in india. There have been occasions when I have been accused of bearing allegiance to our neighboring nation rather than my own country - this even though I am an Indian whose father fought for the freedom of India. Rallies have been held where leaders have exhorted me to leave my home and return to what they refer to as my "original homeland". Of course, I politely decline each time, citing such pressing reasons as sanitation words at my house preventing me from taking the good shower that's needed before undertaking such an extensive journey. I don't know how long this excuse will hold though.
I gave my son and daughter names that could pass for generic (pan-Indian and pan-religious) ones: Aryan and Suhana. The Khan has been bequeathed by me so they can't really escape it. I pronounce it from my epiglottis when asked by Muslims and throw the Aryan as evidence of their race when non-Muslims enquire.
I imagine this will prevent my offspring from receiving unwarranted eviction orders and random fatwas in the future. It will also keep my two children completely confused. Sometimes, they ask me what religion they belong to and, like a good Hindi movie hero, I roll my eyes up to the sky and declare philosophically, "You are an Indian first and your religion is humanity", or sing them an old Hindi film ditty, "Tu Hindu banega na Musalmaan banega - insaan ki aulaad hai insaan banega... set to Gangnam Style.
None of this informs them with any clarity, it just confounds them some more and makes them deeply wary of their father.
In the land of the freed, where I have been invited on several occasions to be honored, I have bumped into ideas that put me in a particular context. I have had my fair share of airport delays for instance.
I became so sick of being mistaken for some crazed terrorist who coincidentally carries the same last name as mine that I made a film, subtly titled My name is Khan (and I am not a terrorist) to prove a point. Ironically, I was interrogated at the airport for hours about my last name when I was going to present the film in America for the first time. I wonder, at times, whether the same treatment is given to everyone whose last name just happens to be McVeigh (as in Timothy)??
I don't intend to hurt any sentiments, but truth be told, the aggressor and taker of life follows his or her own mind. It has to nothing to do with a name, a place or his/her religion. It is a mind that has its discipline, its own distinction of right from wrong and its own set of ideologies. In fact, one might say, it has its own "religion". This religions has nothing to do with the ones that have existed for centuries and been taught in mosques or churches. The call of the azaan or the words of the pope have no bearing on this person's soul. His soul is driven by the devil. I, for one, refuse to be contextualized by the ignorance of his ilk.
I am a Khan.
I am neither six-feet-tall nor handsome (I am modest though) nor am I a Muslim who looks down on other religions. I have been taught my religion by my six-foot-tall, handsome Pathan 'Papa' from Peshawar, where his proud family and mine still resides. He was a member of the no-violent Pathan movement called Khudai Khidamatgaar and a follower of both Gandhiji and Khan Abdul Gaffar Khan, who was also known as the Frontier Gandhi.
My first learning of Islam from him was to respect women and children and to uphold the dignity of every human being. I learnt that the property and decency of others, their points of view, their beliefs, their philosophies and their religions were due as much respect as my own and ought to be accepted with an open mind. I learnt to believe in the power and benevolence of Allah, and to be gentle and kind to my fellow human beings, to give of myself to those less privileged than me and to live a life full of happiness, joy, laughter and fun without impinging on anybody else's freedom to live in the same way.
So I am a Khan, but no stereotyped image is factored into my idea of who I am. Instead, the living of my life has enabled me to be deeply touched by the love of millions of Indians. I have felt this love for the last 20 years regardless of the fact that my community is a minority within the population of India. I have been showered with love across national and cultural boundaries, from Suriname to Japan and Saudi Arabia to Germany, places where they don't even understand my language. They appreciate what I do for them as an entertainer - that's all. My life has led me to understand and imbibe that love is a pure exchange, untempered by definition and unfettered by the narrowness of limiting ideas. If each one of us allowed ourselves the freedom to accept and return love in its purity, we would need no image boxes to hold up the walls of our security.
I believe that I have been blessed with the opportunity to experience the magnitude of such a love, but I also know that its scale is irrelevant. In our own small ways, simply as human beings, we can appreciate each other for how touch our lives and not how our different religions or last names define us.
Beneath the guise of my superstardom, I am an ordinary man. My Islamic stock does not conflict with that of my Hindu wife's. The only disagreements I have with Gauri concern the color of the walls in our living room and not about the locations of the walls demarcating temples from mosques in India.
We are bringing up a daughter who pirouettes in a leotard and choreographs her own ballets. She sings western songs that confound my sensibilities and aspires to be an actress. She also insists on covering her head when in a Muslim nation that practices this really beautiful and much misunderstood tenet of Islam.
Our son's linear features proclaim his Pathan pedigree although he carries his own, rather gentle mutations of the warrior gene. He spends all day either pushing people asie at rugby, kicking some butt at Tae Kwon Do or eliminating unknown faces behind anonymous online gaming handles around the world with The Call of Duty video game. And yet, he firmly admonishes me for getting into a minor scuffle at the cricket stadium in Mumbai last year because some bigot make unsavory remarks about me being a Khan.
The four of us make up a motley representation of the extraordinary acceptance and validation that love can foster when exchanged within the exquisiteness of things that are otherwise defined ordinary.
For I believe, our religion is an extremely personal choice, not a public proclamation of who we are. It's as person as the spectacles of my father who passed away some 20 years ago. Spectacles that I hold onto as my most prized and personal possession of his memories, teachings and of being a proud Pathan. I have never compared those with my friends, who have similar possessions of their parents or grandparents. I have never said my father's spectacles are better than your mother's saree. So why should we have this comparison in the matter of religion, which is as personal and prized a belief as the memories of your elders. Why should not the love we share be the last word in defining us instead of the last name? It doesn't take a superstar to be able to give love, it just takes a heart and as far as I know, there isn't a force on this earth that can deprive anyone of theirs.
I am a Khan, and that's what it has meant being one, despite the stereotype images that surround me. To be a Khan has been to be loved and love back - that the promise that virgins wait for me somewhere on the other side.
- Shah Rukh Khan
{[['']]}

Katrina goes desi for Lucknow stage

Katrina Kaif had Lucknow swaying to her moves on Saturday when she performed at the opening ceremony of the inaugural Hockey India League (HIL) in the city.

The superstar, who has emerged as Bollywood's most popular female stage artiste lately, chose to make an ethnic statement for her performance. She sizzled in a red lehnga and matching embroidered choli, accessorised with silver jewellery.

The venue was Dhyan Chand Stadium. Nargis Fakhri and Shiamak Davar's dance troupe were the other performers at the show preceding the opening match between Delhi Waveriders and Uttar Pradesh Wizards.

Incidentally, Saturday was a double whammy for Katrina fans. After performing in Lucknow in the morning, she flew back to Mumbai where she was scheduled to perform with Salman Khan at the opening ceremony of Celebrity Cricket League season 3 later in the night.

At the Lucknow event, Katrina chose to avoid her more popular item dances such as 'Chikni Chameli' and 'Sheila ki Jawaani', and opted to perform on two other hits. She presented 'Mashallah' from Ek Tha Tiger and 'Ishq Shava' from Jab Tak Hai Jaan, her back-to-back blockbusters in 2012.

In all, Katrina performed for around 10 minutes. Although authorities refused to confirm, sources said Kat - who is known to charge anything between Rs.3.5-5 crore for a halfhour performance, would have made a cool Rs.1-1.5 crore for her Lucknow performance.

Nargis, who took to stage for about five minutes, grooved to her tracks from her debut film, Rockstar. Shiamak Davar's troupe presented a colourful fusion of varied dance styles. Lately, Katrina seems to have emerged as the first-choice performers for event organisers.

Last year, much controversy was generated when she allegedly replaced original choice Kareena Kapoor to perform at a high-profile wedding, despite demanding a hefty pay cheque.
{[['']]}

Hot Movie

 
Support : Creating Website | Johny Template | Mas Template
Copyright © 2011. HD MOVIES - All Rights Reserved
Template Created by Creating Website Published by Mas Template
Proudly powered by Blogger