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Ranam (Telugu)

Cast: Gopichand, Kamna Jetmalani, Biju Menon, Chandra Mohan, Ali, Venu Madhav, Dharmavarapu Subramanyam, Suman Setty, Giridhar, Rama Prabha, Jeeva, Jahnavi & GV
Music: Mani Sharma
Direction: Amma Raja Sekhar
Producer: Pokuri Babu Rao
Cinematography     Srinivasa Raju
Editing by     Gowtham Raju
Release date:  10 February 2006


Ranam (Telugu) is a Telugu film ( Dubbed in malayalam as the same title ) which stars T. Gopichand and Kamna Jethmalani. Choreographer-turned-director Amma Rajasekhar directed this film. The film was a success at the box office. This is T. Gopichand's third consecutive hit as a lead actor. The film is remade in to Oriya as "Mahanayak"  acting Ollywood superstar Anubhav, Koyle Mallick, Bijaya Mohanty, Anita Das, Suresh Bala and bollyywood star Rahul Dev in negative roll.

Story:

Maheswari (Kamna Jethmalani) is sister of Bhagawati (Biju Menon), a mafia don in Hyderabad. Chinna (T. Gopichand), classmate of Maheshwari, inadvertently enters into a row with the gang members of Bhagavati, do falls in love with Maheswari. The rest of the story is all about the how Chinna resorts to a mind game on Bhagavati to win his sister.






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Student No.1 (Telugu)

Cast :Jr NTR, Gajala, Rajeev Kanakala
Director: SSRajamouli
Produced by : C. Ashwini Dutt, K. Raghavendra Rao
Music by     M.M. Keeravani
Cinematography : Hari Anumolu
Release Date: September 27, 2001
Language: Telugu
Genre: Action


Aadi (Telugu) is a Telugu film released in 2002 with Jr. NTR in the main lead. V.V. Vinayak directed this movie. This hit film stands second in Jr. NTR's career, right behind Simhadri. It was also remade in Tamil as Jai with Prashanth. This film led both the actor NTR JR and director V.V. Vinayak into instant stardom[citation needed]. The film collected about 22 crore rupees. The film is dubbed in Hindi as "Mazduron Ka Daata".

Student No.1 (Telugu) (dubbed into Hindi as Aaj Ka Mujrim) is a Telugu movie starring Jr NTR and Gajala. This was the debut film of current Tollywood director S.S. Rajamouli. The film was dubbed in hindi as Aaj ka Mujrim

Story:
Aditya (NTR) joins a law college in Vizag as a student. The law college is notorious for its unruly students headed by Satya (Rajeev Kanakala). Aditya is shown as a young mysterious man and throughout the first half there are several flashbacks to his story. He makes the unruly students mend their ways. In the interval, we come to know that Aditya is a criminal facing murder charges and is serving his life term in Vizag central jail. He attends the college with a special permission from the jail authorities.

Aditya lives in Hyderabad with his parents. He has finished his intermediate studies (10th grade plus 2). He wants to pursue engineering but his father wants him to study law. This presents a tension between them, leading to a confrontation. Meanwhile, Aditya unintentionally murders a goon while saving a girl from getting raped. Aditya's father disowns him as his son and Aditya surrenders at a police station.

The rest of the film is how Aditya wins the heart of his father with the law degree he earns.
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Aadi (Telugu)

Cast :Jr NTR, Keerthi Chowla, , ,
Screenplay - Direction: VV Vinayak 
Dialogues: Paruchuri brothers 
Thrills: Vikram Dharma 
Music: Mani Sharma

Release date: 28 March 2002

Language: Telugu

Genre: Action, Romance
 
Story:

The story is set in the backdrop of Rayalaseema. The film opens with Veera Reddy (Ahuti Prasad) returning from USA after a long gap with his wife and 8 year-old kid Aadi Kesava Reddy. Veera Reddy's deceased father was a well-known factionist in that area and owned a land of 4,000 acres (16 km2). While leaving for USA, Aadi Sesha Reddy gave the responsibility of managing this land to Siva Reddy (Rajan P Dev). Now back in India, Veera Reddy realizes that Siva Reddy is misusing his power. He wants to donate all his land to the 2000 families staying in that village. When Siva Reddy comes to know of this charity giveaway, he attacks Veera Reddy, killing him and his wife. Veeranna (Chalapati Rao), a trusted lieutenant of Veera Reddy, takes the kid Aadi Kesava Reddy and escapes to the city (Hyderabad). After the murders, Veera Reddy's trusted people are put in jail with a prison sentence of 14 years.

Then the film titles roll ending with the caption '12 years later'. We see the grown up Aadi (Jr. NTR) studying in a college. He falls in love with Nandu (Keerthi Chawla) and vice versa. Veeranna has raised Aadi in Hyderabad as a fun-loving boy but he is also hot tempered young man. Later on, it is revealed that Nandu is the daughter of Siva Reddy.

Completing her studies, Nandu returns to her hometown at her father's place. After a hiatus of 14 years, Aadi re-enters the Rayalaseema along with other trusted members of his father who are released from jail. Veeranna wants to take revenge on Siva Reddy and get back all the land so that he can distribute it to the villagers. The rest of the film deals with how Aadi achieves his objective.

This movie was released in 118 centers and ran for 100 days in 98 centers, also 175 days in 88 centers.







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Annayya (Telugu)

 



Cast :Chiranjeevi, Soundarya, Ravi Teja, Sharath Babu, ,
Director: Mutyala Subbayya

Cached Date: 2012-07-02

Language: Telugu

Genre: Drama
Annayya (Telugu:) is a Tollywood film which released on January 7, 2000 and was directed by Mutyala Subbayya. This film stars Chiranjeevi, Soundarya, Ravi Teja, Sarath Babu and Gangadhar Panday. The music was composed by Mani Sharma. While Bhupati Raja provided story, writer Satyanand penned dialogues.

Annayya was a huge box office hit both critically and commercially due to Chiru's performances. The film had collected a distributors' share of Rs.60 million in the initial 2 weeks after its release. It completed 50 days in 92 Centres and 100 days in 60 Centres, which made Annayya one of the Highly acclaimed films of Chiranjeevi in his Career.

Story:

Rajaram (Chiranjeevi), owner of a fleet of lorries, meets Devi (Soundarya), a garment factory owner. After that acquaintance, she once seeks his help in dealing with two street ruffians, who were teasing her sisters, Lata (Chandini) and Geeta (Sishwa), and is shocked when the culprits turn out to be his brothers, Ravi (Ravi Teja) and Gopi (Venkat). Rajaram takes the incident lightly as the pranks of youngsters and is very lenient to them. With more such incidents, the two fall in love, with the brothers and sisters not far behind.

On his brothers' request, Rajaram approaches Devi for her sisters' hands in marriage to his brothers. But she curtly refuses her consent on grounds that the two are wayward drunkards. Rajaram reacts sharply to it and vows to get his brothers married to her sisters.

Since then on he is more exacting with his brothers and brings about a transformation in them. Devi agrees to their marriage. But the incorrigible brothers come in an inebriated condition for their engagement and Rajaram faces the brunt of Devi's ire. She insults him and leaves with her sisters. An outraged Rajaram kicks his brothers out of home.

The two brothers being state rank holders in engineering find favor with a businessman, Rangarao (Sarath Babu), who employs them. Rajaram, who is genuinely fond of his brothers, sells away his property and gives money secretly to Rangarao, paving way for a partnership deal between Rangarao and his brothers. Piqued at being kicked out of home, his brothers, unaware of his hand in securing the partnership for them, nurse a grudge against their brother and insult Rajaram in Devi's presence. She, being in the know, slaps them and opens their eyes by informing them of his sacrifice. This brings about a total change in them and the repentant duo go to Rangarao to restore the property to their brother.

Rangarao has other plans and tries to get them killed with gundas. The brothers escape death and land in a hospital with injuries. A furious Rajaram goes to Rangarao, who reveals his real identity. Rangarao is the brother of Chinna Rao (Bhupinder Singh), a criminal who was caught in the police dragnet with Rajaram's help and later died. This is Rangarao's vendetta. In the ensuing melee, Rangarao gets killed. Rajaram and his brothers reunite.

The film ends with all the three brothers getting married.
 
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Azad (Telugu)

 



Cast :Akkineni Nagarjuna, Raghuvaran, Soundarya, Shilpa Shetty, Prakash Raj, ,
Director: Tirupathy Swami
Cached Date: 2012-07-02
Language: Telugu
Genre: Drama
 
Azad (Telugu) is a 2000 Telugu film directed by Tirupathi Swamy. It stars Akkineni Nagarjuna in the lead role and Raghuvaran, Shilpa Shetty, and Soundarya in other important roles. C. Ashwini Dutt produced the film and Mani Sharma composed music. The film was released on 29 September 2000 and was dubbed into Hindi as Mission Azaad. The film was later remade into Tamil as Velayudham. The story was inspired from 1989 Hindi film Main Azaad Hoon in which Amitabh Bachchan played the lead role of Azaad.

Story:
Anjali (Soundarya) is a journalist on a mission to sue this criminal Deva, Anjali is also harassed by the misdeeds of Deva (Raghuvaran), the most influential person seemingly an underworld mafia don, but in reality an undercover militant, on a mission to release their terrorist group head imprisoned by the state administration. Deva is apparently a Hindu devotee who is bent upon teaching Bhagavad Gita to every human he meets. Anjali happens to see an accident in which a bunch of Deva's hench men die. She takes this opportunity to create & glorify a fictional character called 'Azad'. She writes a letter that Azad has done this assassination to end crime in the city & state. Word spreads like wildfire that there is a Man called 'Azad' who is the Rescuer of the common man.

A humble and intelligent guy called Chandra Sekhar Azad (Akkineni Nagarjuna) from Rajahmundry, has a widowed mother, a beautiful sister and a cute fiancee, Kanaka Mahalakshmi (Shilpa Shetty) to take care of. As his sister's marriage is fixed, Azaad goes to Hyderabad to get the five lakhs he saved in a chit fund company. There he happens to be involved in a few bomb blasting incidents and rescue incidents and avoids all the bomb blasts & crime without his knowledge. People start to think that he is the "Azaad". Anjali meets him and explains him about her mission of ending crime in the state.

However, Azaad is more interested in retrieving money from Chitfund Company and going back to Rajahmundry to participate in his sister's marriage, refuses to enact the role and take the responsibility of legendary character Azaad. But later on the chitfund company turns out to be bogus which was managed by Deva, to generate finance for smuggling of ammunition to Pakistan. By looking at victims of the chitfund company committing suicide, Azaad wears the mask of 'Azad' to stop Deva's Mission. All these incidents make Deva extremely frustrated and Deva kills & blasts Azad's sister at her wedding. Deva demands the administration for release of their militant leader, by hijacking a Train en route Pakistan via Punjab, India. Azad also comes to know that Deva is not a Hindu, but a Muslim terrorist who is on a mission to destroy India. And the rest of the plot deals with how Azaad assassinates Deva and his gang of Militants.



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Irrfan Khan - The sexy royal gangster

After the success of 'Pan Singh Tomar', producer-director Tigmanshu Dhulia and Irrfan are teaming up once again for 'Sahib Biwi Aur Gangster Returns' (SBGR).
Irrfan plays the role of a sexy royal gangster in the film. Explained Dhulia, "Irrfan's got a great sex appeal and he triggers the sensitive side of women in an intellectual way. He's not for frivolous women, but for those with substance. Any woman who has some intellect will find Irrfan really attractive."
Incidentally Irrfan is considered sexy by many women in Urban Indian.  They find his earthy personality appealing. Dhulia revealed that he has witnessed many women blush and going coy when they see and meet Irrfan. "He doesn't get a reaction like people screaming his name but I can see the admiration, lust and passion for him," he adds.
When quizzed if SBGR will be a bigger film for the duo? Tigmanshu stated, "We will feature a world which you rarely see in movies today. The old world charm, royalty, attitude and etiquette, which are missing in today's society and in our films, will be depicted in it."
Talking about Irrfan's character in the film, Tigmanshu shared, "His character is of royal descent who has lost everything. He becomes a small town gangster, who holds a grudge against Jimmy's (Shergill) character and wants to reclaim his lost glory. The film is all about his revenge."
In the film, which releases on March 8, Jimmy marries Soha (Ali Khan) who becomes the choti bahu (younger daughter-in-law). Irrfan is her protector, who has a liaison with Mahie Gill.
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SRK on Being Khan

Here is the article written by SRK which appeared in Outlook Turning Points (The Global Agenda 2013).
I am an actor. Time does not frame my days with as much conviction as images do. Images rule my life. Moments and memories imprint themselves on my being in the form of the snapshots that I weave into my expression. The essence of my art is the ability to create images that resonate with the emotional imagery of those watching them.
I am a Khan. The name itself conjures multiple images in my mind too: a strapping man riding a horse, his reckless hair flowing from beneath a turban tied firm around his head. His ruggedly handsome face marked by weathered lines and a distinctly large nose.
A stereotyped extremist; no dance, no drink, no cigarette tipping off his lips, no monogamy, no blasphemy; a fair, silent face beguiling a violent fury smoldering within. A streak that could even make him blow himself up in the name of his God. Then there is the image of me being shoved into a back room of a vast American airport named after an American president (another parallel image: of the president being assassinated by a man named lee, not a Muslim thankfully, nor Chinese as some might imagine! I urgently shove the image of the room out of my head).
Some stripping, frisking and many questions later, I am given an explanation (of sorts): "Your name pops up on our system, we are sorry". "So am I," I think to myself, "Now can I have my underwear back please?" Then, there is the image I most see, the one of me in my own country: being acclaimed as a megastar, adored and glorified, my fans mobbing me with love and apparent adulation.
I am a Khan.
I could say I fit into each of these images: I could be a strapping six feet something - ok something minus, about three inches at least, though I don't know much about horse-riding. A horse once galloped off with me flapping helplessly on it and I have had a "no horse-riding" clause embedded in my contracts ever since.
I am extremely muscular between my ears, I am often told by my kids, and I used to be fair too, but now I have a perpetual tan or as I like to call it 'olive hue' - though deep In the recesses of my armpits I can still find the remains of a fairer day. I am handsome under the right kind of light and I really do have a "distinctly large" nose. It announces my arrival in fact, peeking through the doorway just before I make my megastar entrance. But my nose notwithstanding, my name means nothing to me unless I contextualize it.
Stereotyping and contextualizing is the way of the world we live in: a world in which definition has become central to security. We take comfort in defining phenomena, objects and people - with a limited amount of knowledge and along known parameters. The predictability that naturally arises from these definitions makes us feel secure within our own limitations.
We create little image boxes of our own. One such box has begun to draw its lid tighter and tighter at present. It is the box that contains an image of my religion in millions of minds.
I encounter this tightening of definition every time moderation is required to be publicly expressed by the Muslim community in my country. Whenever there is an act of violence in the name of Islam, I am called upon to air my views on it and dispel the notion that by virtue of being a Muslim, I condone such senseless brutality. I am one of the voices chosen to represent my community in order to prevent other communities from reacting to all of us as if we were somehow colluding with or responsible for the crimes committed in the name of a religion that we experience entirely differently from the perpetrators of these crimes.
I sometimes become the inadvertent object of political leaders who choose to make me a symbol of all that they think is wrong and unpatriotic about Muslims in india. There have been occasions when I have been accused of bearing allegiance to our neighboring nation rather than my own country - this even though I am an Indian whose father fought for the freedom of India. Rallies have been held where leaders have exhorted me to leave my home and return to what they refer to as my "original homeland". Of course, I politely decline each time, citing such pressing reasons as sanitation words at my house preventing me from taking the good shower that's needed before undertaking such an extensive journey. I don't know how long this excuse will hold though.
I gave my son and daughter names that could pass for generic (pan-Indian and pan-religious) ones: Aryan and Suhana. The Khan has been bequeathed by me so they can't really escape it. I pronounce it from my epiglottis when asked by Muslims and throw the Aryan as evidence of their race when non-Muslims enquire.
I imagine this will prevent my offspring from receiving unwarranted eviction orders and random fatwas in the future. It will also keep my two children completely confused. Sometimes, they ask me what religion they belong to and, like a good Hindi movie hero, I roll my eyes up to the sky and declare philosophically, "You are an Indian first and your religion is humanity", or sing them an old Hindi film ditty, "Tu Hindu banega na Musalmaan banega - insaan ki aulaad hai insaan banega... set to Gangnam Style.
None of this informs them with any clarity, it just confounds them some more and makes them deeply wary of their father.
In the land of the freed, where I have been invited on several occasions to be honored, I have bumped into ideas that put me in a particular context. I have had my fair share of airport delays for instance.
I became so sick of being mistaken for some crazed terrorist who coincidentally carries the same last name as mine that I made a film, subtly titled My name is Khan (and I am not a terrorist) to prove a point. Ironically, I was interrogated at the airport for hours about my last name when I was going to present the film in America for the first time. I wonder, at times, whether the same treatment is given to everyone whose last name just happens to be McVeigh (as in Timothy)??
I don't intend to hurt any sentiments, but truth be told, the aggressor and taker of life follows his or her own mind. It has to nothing to do with a name, a place or his/her religion. It is a mind that has its discipline, its own distinction of right from wrong and its own set of ideologies. In fact, one might say, it has its own "religion". This religions has nothing to do with the ones that have existed for centuries and been taught in mosques or churches. The call of the azaan or the words of the pope have no bearing on this person's soul. His soul is driven by the devil. I, for one, refuse to be contextualized by the ignorance of his ilk.
I am a Khan.
I am neither six-feet-tall nor handsome (I am modest though) nor am I a Muslim who looks down on other religions. I have been taught my religion by my six-foot-tall, handsome Pathan 'Papa' from Peshawar, where his proud family and mine still resides. He was a member of the no-violent Pathan movement called Khudai Khidamatgaar and a follower of both Gandhiji and Khan Abdul Gaffar Khan, who was also known as the Frontier Gandhi.
My first learning of Islam from him was to respect women and children and to uphold the dignity of every human being. I learnt that the property and decency of others, their points of view, their beliefs, their philosophies and their religions were due as much respect as my own and ought to be accepted with an open mind. I learnt to believe in the power and benevolence of Allah, and to be gentle and kind to my fellow human beings, to give of myself to those less privileged than me and to live a life full of happiness, joy, laughter and fun without impinging on anybody else's freedom to live in the same way.
So I am a Khan, but no stereotyped image is factored into my idea of who I am. Instead, the living of my life has enabled me to be deeply touched by the love of millions of Indians. I have felt this love for the last 20 years regardless of the fact that my community is a minority within the population of India. I have been showered with love across national and cultural boundaries, from Suriname to Japan and Saudi Arabia to Germany, places where they don't even understand my language. They appreciate what I do for them as an entertainer - that's all. My life has led me to understand and imbibe that love is a pure exchange, untempered by definition and unfettered by the narrowness of limiting ideas. If each one of us allowed ourselves the freedom to accept and return love in its purity, we would need no image boxes to hold up the walls of our security.
I believe that I have been blessed with the opportunity to experience the magnitude of such a love, but I also know that its scale is irrelevant. In our own small ways, simply as human beings, we can appreciate each other for how touch our lives and not how our different religions or last names define us.
Beneath the guise of my superstardom, I am an ordinary man. My Islamic stock does not conflict with that of my Hindu wife's. The only disagreements I have with Gauri concern the color of the walls in our living room and not about the locations of the walls demarcating temples from mosques in India.
We are bringing up a daughter who pirouettes in a leotard and choreographs her own ballets. She sings western songs that confound my sensibilities and aspires to be an actress. She also insists on covering her head when in a Muslim nation that practices this really beautiful and much misunderstood tenet of Islam.
Our son's linear features proclaim his Pathan pedigree although he carries his own, rather gentle mutations of the warrior gene. He spends all day either pushing people asie at rugby, kicking some butt at Tae Kwon Do or eliminating unknown faces behind anonymous online gaming handles around the world with The Call of Duty video game. And yet, he firmly admonishes me for getting into a minor scuffle at the cricket stadium in Mumbai last year because some bigot make unsavory remarks about me being a Khan.
The four of us make up a motley representation of the extraordinary acceptance and validation that love can foster when exchanged within the exquisiteness of things that are otherwise defined ordinary.
For I believe, our religion is an extremely personal choice, not a public proclamation of who we are. It's as person as the spectacles of my father who passed away some 20 years ago. Spectacles that I hold onto as my most prized and personal possession of his memories, teachings and of being a proud Pathan. I have never compared those with my friends, who have similar possessions of their parents or grandparents. I have never said my father's spectacles are better than your mother's saree. So why should we have this comparison in the matter of religion, which is as personal and prized a belief as the memories of your elders. Why should not the love we share be the last word in defining us instead of the last name? It doesn't take a superstar to be able to give love, it just takes a heart and as far as I know, there isn't a force on this earth that can deprive anyone of theirs.
I am a Khan, and that's what it has meant being one, despite the stereotype images that surround me. To be a Khan has been to be loved and love back - that the promise that virgins wait for me somewhere on the other side.
- Shah Rukh Khan
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